A Splash of Colour!

Everyone perceives things differently. I am sharing something that I haven’t told anybody yet (the fear of alienation being a strong factor, God knows I’m weird enough already), I see colours in music. I have always been able to. Ragas like Yaman, or Behag are shades of turquoise or aquamarine blue; Nalinakanti has always been a deep, rich magenta; Abheri has the shades of reddish brown we see in bricks; Hamsadhwani is a pale pink; Madhuvanthi a soft, curtain-like olive green; Brindavana Saranga is a flurry of bright saffron − the list goes on. I’m listening to a violin rendition of Sama Gana Lolane by Shri. Lalgudi G. Jayaraman mama as I’m writing this and I can feel the maroon shade of Semman that we use for Kolams clouding the back of my mind like a wash of paint. Until very recently, I never questioned this. In fact, I still have no idea what made me question it this time around. I was sitting in an Ashwath Narayan concert (I know, AGAIN) and I slipped into that state of consciousness again where my mind drifts off from what the artist is singing to what that particular piece of music translates into in my mind, or more specifically, the colour that it takes and the tactile feeling to it. Some ragas give an underwater-like vibe to them, all smooth edges and distant glimmers of lighter tones, while some give the effect of ink spreading on a blank canvas, it’s tendrils curling in the blank dark canvas of our minds.

When I got back home that night, like every millennial out there, I went and asked the all-knowing Hermione of our world, Google. I kid you not, I literally typed in ‘seeing music in colours’. As I waited for the results to load (which wasn’t that long, thank you Hathway), sensations of excitement, nervousness and curiosity filling my bones, I didn’t really know what to expect. The question of ‘are there others like me?’ had been weighing my mind down for a very long time and I was so surprised at the abundance of sub-types of synesthesia and how people were unaware of it for a long time. Now, don’t get me wrong, I’m not a psychologist and I haven’t diagnosed myself or anything like that, but I feel relieved. Relieved that my brain isn’t fried (not enough, not yet) and also, this could probably be the coolest thing that I can write in my bio, ever.

The next day, after a number of mental rants of “Listen, you’re weird enough. They will write this off as your personality, don’t break your head over this, you’ll be fine. It’s not like they are going to disown you.”, I decided to ask my friends (If you’re reading this, hey!) a simple question to see if they had a similar outlook to this situation.

‘What colour do you think Kalyani looks like?’

‘Red’

‘Yeah! Definitely, red.’

‘Nah, it’s more of a green.’

‘What do you mean? It’s clearly red.’

Needless to say, the next hour was spent on a good debate of how different our thoughts were and how each of us perceived different ragas. We matched in some, but for the most part, our opinions differed. The pieces in discussion portrayed the same emotions in each of us, but the colours that came to our minds were completely different.

Some of you may be clueless as to what I’m talking about but there may also be some of you who can relate to this. Maybe you see shapes and sounds in people, or a particular movement for a particular (completely unrelated) thing, living or non-living. If you do, what do you see? Feel free to comment below.

Image credits: Tumblr

A brilliant play of Manodharma

A/N: If you have read the Harry Potter books, you will understand when I say that my posts will mostly be a mix of Lee Jordan and Luna Lovegood when they were commentators of the Hogwarts Qudditch matches.

Now that that’s out of the way, let’s get on with the blog. 

Of course my first entry is of Ashwath Anna’s concert(If you ever meet my mother, ask her to do an impression of how excited I get when I attend his concert;it’s spot on). 

He started with Sarasiruhasana priye in Naatai, the  glorious speed of Akaram in the raga alapana reminding me of Bugs Bunny’s speeding legs(I’m a mature adult, I swear).  The song had a brisk pace to it which was beautifully handled by the mridangist and the violinist, Karaikal Venkatasubramaniam and M S Venkatasubramaniam. 

He then proceeded to sing Mamavasadhajanani in Kanada, the ragam still lingering on my mind an hour after the kutcheri was finished. 

The raga of the hour was Lathangi. It was spun into a beautiful of weave of Bhava, Sruthi and Laya. The swarakalpana was brilliant, the artists turning it into a fast volley and finishing the piece with a short, but sweet Thani. 

Needless to say, Ashwath Narayanan rendered me starstruck yet again, as he has been doing since he auditioned for Tanishq’s Swarna Sangeetham. 

Hi!

If you haven’t met me already(virtually or IRL), HI! My name is Preethi. Yes, I know my domain says my name is Chithra, and so does Facebook, but I’ve never really liked that name very much(No offense to you Oh Periyappa o’mine who named me;I still love you).

I am your typical Tambrahm girl, born into a family where Carnatic music dates back to (at least) four generations.  So, it comes as no surprise that I started learning Sa Ri Ga Ma at a very young age(not that I’m a Mylapore Mami now, mind you). I am saying that I’m not someone who just has “Kezhvi Gnanam” and starts making random remarks about people’s singing(usually in the middle of a concert!).

That being said, (DISCLAIMER!!)I’m also in, no way, a squint-eyed, tight-lipped critic waiting for musicians to make a mistake and immediately talk to people about it. I’m just going to give you my honest thoughts on the concerts that I go to.

I’m starting this blog for the following reasons:

1. It’s fun! (MAIN REASON!)

2. There just aren’t enough Carnatic blogs around.

3.There’s so much more to Carnatic Music than your usual Shri Chakraraja Simhasaneshwari that every Mami asks you to sing during Navratri(I STILL LOVE THAT SONG, DON’T KILL ME!)

4. It feels good to give a genuine compliment!

5. It gives me an excuse to attend more concerts.

6. While I did not have the luck to live in the era of the great musicians like Madurai Mani Iyer or Voleti Venkateswarulu, I do live in a period where young aspirants(including myself, though I have a long, long way to go to even stand in the same arena as the others) are striving hard to continue the legacies of their Gurus and role models, in their own style. They have to be appreciated.

7. Lastly, I love to talk! xD

See you soon!